Keep your hands off eizouken manga6/6/2023 Activation Sequence: Gets brought up and demonstrated by Mizusaki when both the film club and robot club are discussing the concept of the mech's design in Episode 5, with her making the point of it showing how creators of mech anime put faith in the human pilot, rather than automation.However, Kanamori points out that many of their grievances with the Motion Picture Club are actually the school's responsibility, and she even lampshades how the council is wielding their authority like a blunt weapon. Like real-life Japanese student councils, Shibahama's student council holds power over whether or not school clubs get approval and funding, but it's presented as rather extreme since there's also a "Security Club" whose whole purpose seems to be to enforce the student council's ironfisted will (to the extent where they conduct stop-and-frisk procedures on anyone wearing a robot costume like Mizusaki's when the council decides to arrest her for breaking the Culture Festival's rules). Absurdly Powerful Student Council: Played with.However, the future as portrayed in the series doesn't seem very futuristic aside from some slightly more advanced technology and some implications that Japan has become more racially diverse. note 2051 is the only year in the 2050s where January starts on a Sunday This means the anime that inspired Asakusa was over 70 years old when she first watched it. ![]() 20 Minutes into the Future: A Freeze-Frame Bonus calendar ◊ and the expiration date on Mizusaki's credit card shows the anime is set in the year 2051.The series is currently being simulcast on Crunchyroll.Ī live-action film debuted on September 25, 2020, also spawning a six-episode TV mini-series that premiered earlier on April 5th, 2020.Ĭompare to Shirobako, a more idealistic take on a group of friends wanting to make an anime together (while still further exploring how the industry works), and Girlish Number, another series about anime production with a far more cynical edge to it. It is not, however, his final project with the studio period: that position goes to the film Inu-Oh, released in 2021. It was also the last television series produced under Yuasa's directorship- and the last of his projects to be released- prior to amicably leaving Science SARU just three days after the final episode aired. The series is directed and written by Masaaki Yuasa, with Naoyuki Asano providing character designs and Oorutaichi composing the music it notably marks Yuasa's first foray into an animated series (as opposed to his usual portfolio of feature films) since DEVILMAN crybaby in 2018 and the first television series produced under his directorship since Ping Pong in 2014. A 12-Episode Anime television series adaptation by Science SARU * with production assistance by Dr Movie, CloverWorks and T2 Studio ran from January 5th, 2020 to March 22nd, 2020. "Don't Mess with the Motion Picture Club!") is an ongoing manga by Sumito Ōwara that begun serializing in the Seinen manga magazine Monthly Big Comic Spirits in 2016. Keep Your Hands Off Eizouken! ( 映像研には手を出すな!, Eizouken ni wa Te o Dasu na!, lit. ![]() With Asakusa & Mizusaki finding a common interest and Kanamori seeing an opportunity to rake in some cash, the trio team up to create an animation club to make their "ultimate world" a reality! ![]() While fleeing from a handler who is trying to prevent Mizusaki from joining the anime club on orders from her Fantasy-Forbidding Father, Asakusa and Kanamori learn that Mizusaki wants to become an animator. When attending a screening by her school's anime club, she and her longtime friend, the money-minded schemer Sayaka Kanamori, encounter Tsubame Mizusaki, a rich and famous fashion model who also happens to be a classmate of theirs. Still, she hasn't taken the first step to creating anime, insisting that it's impossible to do it alone. Now a first-year high-schooler, she dreams of creating an anime with a setting based on the unusual "dungeon-like" campus of Shibahama High School. Sowande Sakaki referring to the titular clubĪt a young age, Midori Asakusa became fascinated not just with anime but also with how it was made.
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